
Robert Lawson
Other recent premieres of his writing include : Tabula Rasa - a music/theater piece about autism - in New York at the Neuro Fest festival of new work; The Architecture of Sight at the Chocolate Factory in Queens; Pandora’s Box: a vaudeville in New York; ...but the rain is full of ghosts, a music/theater work he also directed at the Kennedy Center as part of the National ACTF Festival. Directing premieres include : The Death of Don Juan at Franklin Pierce University, where he is on faculty, and more recently a screening in New York of the video rendition this production at the ‘Op on Screen Festival’; direction & set design for The Magic Flute for the Granite State Opera; direction and text for Kuhfangfederblech at the Festsalle in Vienna, Austria. He conducts an ongoing series of workshops in Narrative Strategies, Framing & Abstraction using digital media at Donau Universität in Krems, Austria for the Dep’t of Telecommunications, Information and Media (since 2002). He is the recipient of a Meet the Composer grant for his work on Leonardo’s Tank - which premiered at Andy’s Summer Playhouse - a theater in New Hampshire that creates experimental theater work by professionals working with young performers, for which he was artistic director from 1995-2007. Most recent art shows include : an multi-room art/science installation based on the Camera Obscura that ran for two years in Peterborough, NH; and a four-part ‘Cabinet of Wonder’ investigating real and imagined artifacts entitled Recently Discovered - use unknown. His performance texts have been published in American Writing, Poems & Plays and The Northern New England Review. His plays are published by Playscripts, Inc. (The Passage… byline: Amanda Danger… Kid Sniff & the Ticking Clock… Hiroshima: crucible of light). He is a member of the WGA, ASCAP, SAG, AEA and AFTRA. |